Go to youtube.
Anna Spelman interacts, or moves in proximity to, or in dialogue
with Thomas Titone, Johan Renvall and Peter Fonseca
on stage at American Ballet Theatre in Paul Taylor’s Airs in 1985.
She’s a lone figure working in telepathic rapport with the three men, circling in a potent, animating orbit of her own —
Then Kristine Soleri, Lisa Rinehart, and Christine Spizzo enter and stand facing the three men,
and it’s a coupling that evolves the geometry into a new connotation. And it’s a microcosm of idealized space and spatial relations. . .
I saw them do this so many times–it speaks across the years.