when it comes to Ballet Review, it’s all good.
Just as you’re taking in the riches of the last issue, we come out with a great new one!
In the current, Spring 2017 issue, BR’s international perspective shames everything that’s xenophobic and chauvinistic.
Read my interview with the Paris Opera Ballet’s Mathias Heymann.
But the Atlantic’s just one river* across which we’ve got hands!
* “ocean” is more like it